Dream Theater

If you would like to share dream theater lyrics with other users of this site, please see the bottom of this page on how to submit dream theater lyrics. Members includechris collins (left bane, 1987), vocals;charlie dominici(joined band,1987; left band, 1991), vocals;james labrie (born kevin james labrie),vocals; kevin moore (joined band, 1986; left band 1994), keyboards;john myung,bass; john petrucci, guitar;mike portnoy, drums; dereksherinian, keyboards. Addresses: record company-eastwest records, 75 rockefeller plaza, new york, ny 10019. Influenced by the progressive rock music of the 1970s, new york's dream theater managed to combine thetechnically difficult, heavily orchestrated style of their mentors with the heavy metal power of the 1980's. From the mid-1980s and all the way through the alternative grunge rock scene of the 1990s, dream theater stayed true to their heavy-metal-meets-progressive-rock direction without swaying with the trends. "it's like an unwritten rule that we don't chasetrends," guitarist john petrucci told michael mehle in denver's rocky mountain news. "the music scene changes sooften-what's popular, what's on top of the charts-that it's best just to stay focused. "
the spark of what eventually ignited the formation of dream theater happened in september of 1985. Long-timefriends john petrucci and bassist john myung were attending the prestigious berklee school of music in boston, wherethey met drummer mike portnoy and discovered they had many things in common. Not only did they have the samemusical interests, but all three hailed from long island in new york. "it was obvious that all our heads were in the sameplace," portnoy said in the band's record company biography, "and to find that they were from home was amazingbecause [there're] people from all over the world at berklee. "
when the trio returned to long island for their winter break, they began rehearsing with keyboardist kevin moore,who was attending the fredonia school of music and had played with myung and petrucci in their high school bandcenturion. "there weren't many real keyboard players performing in rock when i broke in," moore told robert l. Doerschuk in keyboard, "and that left it wide open for me. "
early the next year, the group found singer chris collins and the five musicians formed a band called majesty. Afterthe summer of their first year in music school, the members decided to leave their education behind and focus on theirband. They took regular jobs and spent much of their free time writing, rehearsing, and performing. Later that year, theyrecorded a six-song demo tape, which they sold to local fans and sent out to record labels. In november of 1986, thegroup decided that collins didn't have enough of a vocal range to fit the music they were writing, and they began tosearch for a new singer. After auditioning nearly 100 singers, they settled charlie dominici in 1987. Dominici was quite a bit older than anyof the other members, but seemed to fit their requirements at the time. In 1988, a fledgling record label, mechanicrecords, signed majesty as their first artist, but after the ink was dry, they discovered that another band owned thetrademark to the name majesty. While the band brainstormed to find a new name, portnoy's father called them fromcalifornia to suggest dream theater, the name of a movie theater in monterey, california. Petrucci recalled theirsurprise at the perfect suggestion to valerie potter in metal hammer, "it's not too often that your father thinks of thename of your band!"
with their new moniker in place, dream theater released their debut when dream and day unite in 1988. Sincemechanic records had just started, the company didn't have the budget for a video or tour for the band, so the groupcontinued to play shows throughout the new york tri-state area and work their regular jobs. Despite the lack ofexposure, dream theater received critical praise and word-of-mouth fans. "to say the least, this is a bit different fromthe norm, and it certainly explores the musical spectrum," wrote brian pithers in metal hammer. Tom mulhern wrotein his guitar player review, "when dream and day unite features speedy licks and complex interplay by the guitaristand bassist as keyboards swirl and the drums tear through the songs like a ferrari down a narrow alley. "
in 1990, dream theater fired dominici from the group, and began another search for a singer. "he had theexperience that chris [collins] didn't, but after awhile, it became evident that he wasn't the singer we were looking for,"portnoy said in the band's record company biography. The remaining members thought they would be able to find areplacement relatively quickly, however, the search ended up taking almost two years. "we were very picky," continuedportnoy, "because the four of us set such high standards for each other, we didn't want to sell ourselves short on the fifthmember. "
dream theater continued to write new songs and perform in the new york area as an instrumental four-piece band. After auditioning around 200 singers, they found kevin labrie, who was playing in a toronto band called winter rose. When labrie joined dream theater, he decided to use his middle name, james, since the band already had two membersnamed john and having two kevins would be even more confusing. With their lineup solidified, dream theater signed a record contract with eastwest records. In 1992, their firstmajor label releaseimages and words arrived in stores. The album was produced by david prater, and this time, theband was able to increase their fan base. Their videos appeared on mtv, and dream theater embarked on their firstworld tour called "music in progress. " images and words went gold in japan, and the group played a sold-out tour there,as well as dates throughout europe and in korea. "the japanese are so devoted to music; it's really inspiring," petruccitold andy widders-ellis in guitar player. During their european tour, dream theater recorded a live album atlondon's famed marquee nightclub called live at the marquee. In march of 1994, the group returned to the studio. Two months later, they temporarily relocated to los angelesto work with producers john purdell and duane baron on their next album. Halfway through the recording, keyboardistkevin moore decided to leave the band citing musical differences. "i came to the decision that i needed to concentrateon my own musical identity and that a split with the band would be the best thing for both the band and myself," moorestated in a press release. After his departure, moore moved to new mexico and began working on a solo project. On october 4, 1994, dream theater released awake and the single "lie. " the album debuted at number 34 onbillboard's album charts, sold 50,000 copies in germany within the first week of its release, and reached platinum salesin japan. Before they took off on their next world tour, dream theater found keyboardist derek sherinian to fill in formoore. Sherinian had played with alice cooper, kiss, and would eventually join dream theater on a full time basis. The group released an ep later that year called a change of seasons. Produced by prater, the title track clockedin at about 22 minutes in length and became legendary among dream theater's fans. "the way that we write is maybesomewhat different," said singer labrie. "we start a song, and we don't end that song until we feel the message hasbeen completed. " the other songs on the record were live recordings from ronnie scott's jazz club in london,england. In 1996, dream theater played five shows on what they called afix for '96," where they played some of the newmaterial they were working on at the time. They did the same sort of mini tour in europe the following year called "fixfor '97. " on september 23, 1997, they released the kevin shirley produced falling into infinity. Writing for bassplayer, karl coryat wrote, "falling into infinity is an intense listen- at times fatiguing to the ear, but still highlyenjoyable. If you can move someone with something simple or beautiful, or play something so complex that it makessomeone nervous-that's the allure to me," petrucci told mehle in the rocky mountain news. Throughout their career,dream theater ignored the passing trends and continually stayed in touch with their own musical direction. "the minuteyou try to fit a trend, it's going to change, and you're going to be left in the dust," portnoy told sparky in loudmouthmagazine. "if you just do what you do, that's where you create your own sound, and that's the kind of stuff that'stimeless. "

	by sonya shelton

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